
Blogger Chuck King let's us in on
some of his thoughts about using the tune Londonderry Air in a Christmas Eve service:
One potentially fatal selection of congregational song kept me wondering right up until its last thoughtfully sung note. "Can a congregation, even this congregation, really sing Londonderry Air, credibly?" It turns out they can, and even if that's just because they're kind of expected to, at least it worked.
But it raises some questions:
Why this tune with a sacred text? Well, I understand the text was written with this tune in mind. Indeed, while it is not an eccentric meter, it is distinctive; it's hard to imagine the text was written and then someone said "oh hey, you can sing that to Londonderry Air!"
Why this tune in a sacred context? The issue here is the association (strong in my parent's generation and a little later) with "Danny Boy" and swing bands and crooners.
Why this tune, which is so hard to sing? Ah, that's a tougher call. Those who criticize some kinds of P&W tunes often cite the extreme ranges (notes go both too high and too low in the same song) need to take note that this is nothing new. Like STILLE NACHT, some classic melodies also have this kind of reach.
Read the whole discussion here . . . I've just given you a sample.
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