The big V question

Liz's blog has a great post about vibrato:

Put twenty choral practitioners in a room and ask them about vibrato and choral singing, and you will hear twenty different opinions. And if choral singers’ voices were as inflexible as these opinions can be, nobody would ever achieve a blended section. So I approach this question from a section leader in a barbershop chorus with some trepidation:

I have a Lead who has some vibrato in her voice. Do I put her in the middle of the section or is there some way I can help her to reduce this?

She has some great answers.

Image: Singer with a glove by Edgar Degas.